Anime & Manga Aug 18, 2026Add to bookmarks

Deceased in March 2024, Akira Toriyama has just been inducted into the Will Eisner Comic Industry Award Hall of Fame, the most prestigious distinction in the world of comics. A belated but immense recognition for one of the most influential creators in manga history.
The Will Eisner Comic Industry Award—nicknamed the "Oscar of comics"—is awarded annually at the San Diego Comic-Con by a jury of industry professionals. The Hall of Fame category honors creators whose work has left a lasting mark on the medium. Joining this pantheon alongside Will Eisner himself, Jack Kirby, Osamu Tezuka, or Charles Schulz is a place in the history of global comics—not just Japanese comics.
That the induction comes posthumously does not diminish its symbolic weight. On the contrary, it arrives at the right moment: since Toriyama’s death on March 1, 2024, at age 68, the scale of his influence over decades of global pop culture has been the subject of countless tributes—but few as formal as this one.
Toriyama began at Shueisha with Dr. Slump (1980–1984), an absurd sci-fi comedy centered on Arale, a naive android with superhuman abilities. The series was an immediate hit, spawning two animated adaptations.
But it was Dragon Ball (1984–1995) that changed everything. Serialized in Weekly Shōnen Jump, the manga follows Goku from childhood as a naive little warrior to cosmic battles in Dragon Ball Z—and became one of the most profitable franchises in history: over 250 million volumes sold for the manga alone, not counting anime adaptations, video games, and merchandise. Dragon Ball GT, Dragon Ball Super, and Dragon Ball Daima extended the universe long after the original manga ended.
SPOILER Dragon Ball—Toriyama had initially planned to end the series multiple times, notably after the Saiyan and Cell arcs. Editorial pressure and phenomenal success kept it going through the Freeza, Cell, and Buu sagas. This tension between Toriyama’s artistic vision and Jump’s commercial imperatives is documented in several interviews with the mangaka.
Beyond sales, what Toriyama brought was a graphic language. His character design style—expressive faces, large eyes, dynamic yet readable body types—has influenced generations of mangaka and game designers. He even designed the characters for the Dragon Quest series (since 1986, in collaboration with Yuji Horii and Koichi Sugiyama at Enix), a parallel body of work that shaped JRPG aesthetics for forty years.
Toriyama is one of the rare creators to have left his mark on both manga (Dragon Ball, Dr. Slump) and video games (Dragon Quest, Chrono Trigger, Blue Dragon). His character design for Chrono Trigger (1995), created in collaboration with Hironobu Sakaguchi and Yuji Horii, is considered one of the most beautiful in Japanese JRPGs.
The Eisner Hall of Fame has long welcomed Japanese creators—Osamu Tezuka was among the first international honorees. Toriyama’s induction joins this exclusive club, further evidence—after decades of growth—that manga is now fully accepted as a literary and artistic medium in the Western world, not just an export product.
For those who grew up with Dragon Ball, it’s validation of something already known. For the industry, it’s a signal of what the Eisner wants to be: global, not just American.
Article produced by artificial intelligence, reviewed under human editorial control.